Language Opera

Theater Nestroy Hamakom [ENA] Language opera is a captivating and innovative style that transcends traditional boundaries of music and theater, weaving together the richness of linguistic expression with the emotive power of operatic performance. In this unique genre, the libretto takes center stage, serving as the driving force behind the narrative while being delivered with the vocal prowess and dramatic intensity characteristic of opera.

The language opera "Message" of Heimrad Bäcker is one of the most radical literature discussions about the power abuse during the twentieth century. The work represents a unique linguistic and literary processing of the topic of bureaucratic administration of the mass killing machine , with bureaucracy in its worst interpretation, with absence of any tolerance, mercy and human feelings.

Bäcker, an Austrian poet, is recognized for his innovative and challenging approach to addressing historical atrocities in his work. "MESSAGE" serves as a poignant testament to the complexities of representing such a traumatic historical event through the medium of literature. Bäcker's literary contribution is marked by its unconventional style and a meticulous attention to language. His work often involves the use of found materials, archival documents, and linguistic experimentation to confront the challenges of representing the unfathomable horrors. "MESSAGE" is no exception, as it delves deep into the nuances of language, memory, and historical reckoning.

Bäcker employs a collage-like technique, piecing together words, phrases, and excerpts from various sources to construct a narrative that is as dissonant and challenging as the historical events it seeks to represent. Through "MESSAGE," Bäcker prompts readers to confront the limitations of language when attempting to articulate the profound suffering and loss. The fragmented and experimental nature of the poem serves as a reflection of the inherent difficulties in expressing the inexpressible, capturing the fragmented nature of memory and the challenges of bearing witness to historical trauma.

In essence, Heimrad Bäcker's "MESSAGE" stands as a radical literary engagement, challenging conventional forms of representation and urging readers to confront the complexities of history, memory, and language. It is a testament to the enduring importance of literature as a means of grappling with the most profound and difficult aspects of human experience and presenting the topic at the stage of the theatre Nestroy Hamakom. Patricia Aulitzky, a force to be reckoned with in the world of theater, brought a spellbinding presence to the stage. Her performance was a masterclass in emotive storytelling, seamlessly navigating between moments of vulnerability and strength.

Aulitzky's ability to embody characters with such authenticity and nuance left the audience captivated, hanging on to every word and gesture. Her command of the stage was nothing short of awe-inspiring. Accompanying this theatrical marvel was the enchanting piano play of Clara Frühstück. From the first delicate note to the resounding crescendos, Frühstück's fingers danced across the keys with a grace and precision that elevated the entire performance. Her musical prowess not only complemented Aulitzky's narrative but became an integral part of the storytelling itself. Frühstück's piano became a second voice, weaving its own tale and adding layers of emotion to the unfolding drama.